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Mark Amery writes on the need to embrace failure.
Mark Amery writes on recent artist projects in the light of the Paris bombing and ongoing discussion.
Mark Amery considers the potential of re-presenting collected artwork in our private galleries in a visit to Wellington gallery The Young.
Mark Amery considers an exhibition of the performance scores of Bruce Barber in the context of how we document our memories.
Demented Architecture doesn’t profess that all architecture is demented, writes Mark Amery, yet it doesn’t really explore why dementia might be setting in.
Mark Amery writes on the exhibition reflex, figment at Wellington’s Massey University and the university’s residency programme.
Mark Amery surveys the strong spread of exhibitions by Maori women artists currently in Wellington.
Mark Amery writes of the opening of the Len Lye Centre and its relationship to the Govett Brewster Art Gallery, its first exhibition 'Our Hearts of Darkness', its province of Taranaki - and us.
Great Matariki, writes Mark Amery, but where are our Maori critics and journalists?
Mark Amery on the International Public Art Award, a conference and changing models.
Mark Amery finds Lisa Reihana’s major work a rare combination of the complex and accessible.
Mark Amery encourages a visit to an exhibition at Wellington’s National Library Turnbull Gallery that provides some too-rare joys.