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One of our most experienced performing arts managers, Lester McGrath is 6 weeks into his new role as Executive Director. He shares his plans to take the organisation “en avant” - onward and upward
Tānemahuta Gray reflects on the resurgence of te reo in Aotearoa’s mainstream culture and media.
For Part 2 of our mini-series, Hannah Clarke recounts the bumpy ride that has formed the NZ Fringe Festival, and reveals why Wellington would not be the same without its Fringe.
Ross gives us a downright honest view - he is still trying to work it out, and always will be. And that is perfectly ok.
Aiwa Pooamorn and Gemishka Chetty write a delicious piece tackling racism and identity politics in Aotearoa's food industry.
In Part 1 of our mini-series on Aoteaora’s vivid Fringe scene, Lydia Zanetti gives us the shapes and sizes, inspirations and challenges, of the global Fringe movement.
Creatively highlighting environmental issues, composer and ecologist Naima Fine shares how she created sound art out of climate change data. By Andrea Simpson
Jennifer Ward-Lealand Te Atamira CNZM challenges us to revisit the way we educate, and foster the new generations of artistic talent: If we want to see them flourish, we must enable them first.
Your university degree may not necessarily be the highway to happiness. Director and creator Malia Johnston shares the detours and lessons she’s learnt along her way.
Employers increasingly look for the complex analysis skills, emotional empathy and leadership traits that arts degrees cultivate among students, reports Andrea Simpson.
Some golden advice on managing in the creative world, brought to you by a contemporary abstract artist.
Dr Sarah Rusholme from Capital E explains why creative expression is just as important as healthy eating for our tamariki’s well-being.