Mark Amery

John Walsh, Matakite exhibition at Pataka. Photo / Mark Tantrum.
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Mark Amery writes of the significance of John Walsh’s vision of a mythic land of the long white cloud.
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Mark Amery
Sand drawing at the Vanuatu Cultural Centre
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Visiting Vanuatu, Mark Amery asks how we might deepen our relationship with the Pacific through the arts.
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Mark Amery
Sorawit Songsataya Bronies, 2016 Animation 3.13 min, 3D printed vases, images printed on steel commissioned by Te Tuhi, Auckland Photo / Sam Hartnett
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Mark Amery writes on exhibitions at Auckland’s Te Tuhi and Wellington’s Adam Art Gallery in which curators explore the potentials of space.
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Mark Amery
Francis Upritchard, Mandrake, 2011
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Mark Amery on artist Francis Upritchard’s enchanted oceanic anywhere.
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Mark Amery
Andrew Beck - Double Screen, 2016, glass, acrylic paint, gelatin silver photographs. Photo / Bryan James. Image courtesy of the Govett-Brewster Art Gallery, New Plymouth.
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Cameraless photography can help us value art in vital ways says Mark Amery.
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Mark Amery
Installation view of Art of the Pacific at NGV International. Photo / Brooke Holm
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Visiting Melbourne, Mark Amery finds that when it comes to the art of the Pacific things are as different as they are the same.
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Mark Amery
Still from Jordana Bragg's 'How to water the roses (3'), 2015, Digital Video, Sound, Mason's Lane, Wellington
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Mark Amery surveys the inventive approaches to moving image that a fresh array of artists are bringing.
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Mark Amery
The Presidents - a touring exhibition by David Burnett at Expressions, Upper Hutt
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Mark Amery considers the political sensitivities of gallery programming on a visit to Expressions Gallery in Upper Hutt.
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Mark Amery
Shopping and Other Rituals - Jade Townsend, Pataka. Photo / Mark Amery
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Mark Amery writes on artists tackling town identity in Hamilton, Porirua and the Hutt.
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Mark Amery
River Of Fundament by Matthew Barney. Photo Hugo Glendinning
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Mark Amery on the international film event which is Matthew Barney’s 'River of Fundament'.
Author: 
Mark Amery